Grief and creativity

This week’s ear worm song:

When I tell my therapist that I can’t talk about my daughter’s impending departure for college without crying, she says, “Of course. You’re grieving.”

Really?

“Grief” feels like too strong a word. I mean, c’mon. She’s not dying.

But last week, as the time left for her to live with us changed from the unit of month to week, I have found that I often can’t even think about it now without crying. Yesterday as we made breakfast, I had the thought that Cane should make his beignets, her favorite, before she goes, and I was so flooded with memories my body literally couldn’t contain them.

Time has taken on an almost tangible, viscous quality. I have no work-based entries to make into this creative notebook because, I am learning, creativity requires a kind of mental fluidity that’s beyond me right now. I feel suspended in some kind of thick, gelatinous reality that is not reality. Although time is moving, I am not, and it feels I won’t be able to until what’s going to come next is finally here.

It’s true:  No one’s dying. But something is–the life I’ve been living for more than 18 years. It might seem as if that statement’s not true; in that 18 years I’ve changed jobs and homes and life partners. Through all of that, though, my kids were the constant, the one thing I knew I’d never leave, the only thing I’ve ever remained wholly true to.

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I don’t know how many times I’ve heard people say that when you have kids, your life stops being all about you. It becomes about them. You’re no longer the most important person in it.

Um, no.

It’s still all about you:  When you have kids, they have to go where you take them and do what you tell them to do.  They are woven into the fabric of your every day. They become your people, and you are theirs, and you are a family, a unit in the world.

Truth is, I didn’t feel my life really started until they came into it. Now, that life–with both of my children–that’s ending, and it’s happening less than a year after the end of the family life Cane and I tried to create.

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So, yeah:  I guess I’m grieving. And it’s kicking the stuffing out of my creative productivity.

Back in the spring, I finally “finished” the house project I’d been documenting here:

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This isn’t the final product, but it’s close enough. I did finish it by covering it with a glaze.

I’m not pleased with the final result. It’s too cute; I was trying to express something more serious than this image conveys. The book pages I used to make the house came from a chapter of a history text on the Industrial Revolution. It talked about the terrible housing conditions for the working poor in many cities, and how difficult it was for mothers, especially, to care for their children. The text for the tree came from a children’s book about animal habitats. When I started it, I had recently read a YA novel, The Hired Girl, in which the protagonist runs away from her abusive father and works as a maid for a wealthy family in the city. I wanted to create a piece that would provoke thought about need vs. want, resources, social class, and how we nurture our young (and don’t). The leaves around the edge make this too cutesy/cheery, and I don’t like them.

There are also some issues with my (lack of) skill. Part of the reason it looks too cute is that I don’t have the skill to execute the vision I had in my head.

As a learning piece, though, it’s fine. I learned some things doing this one that will serve me in the next. I’m ready to let it go and move on. Working on this piece, while simultaneously thinking lots of personal thoughts about housing, home, resources, needs, and privilege, has me interested in small (not tiny) houses, particularly those in what were once working-class neighborhoods. Portland (OR) is in the midst of a housing crisis. A deep history of racist housing policies and current gentrification are driving many out of Portland. (If you’re interested, this article recently published in The Atlantic is an important read.)

Although I’ve tried a few times to go into my studio and begin some new work, I haven’t gotten anywhere in there. The most I’ve been able to do is go on walks and take some pictures.  I’m posting them here so I have easy access to them:

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Great photography wasn’t my goal. I just snapped these with my phone. I’m not even sure where I’m going with this. These are just interesting to me, and even though I don’t seem to be in a place to do anything much with them right now, I know that will change.

I’ve been doing creative work long enough now to know this is just the way of it. Sometimes, other things in our life use up our creative energy. Sometimes, those very things are the source material for future work. This might seem like a disjointed post–about grief and kids leaving home and…working class houses and gentrification and displacement?–but I know it’s all connected. Just as I know there will be future work.

It always comes back. There are so few enduring constants in any life, but this is one of them in mine.

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About those darling succulents…

Remember these?

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Back in February, inspired by lo the many, many images of cunning little succulent pots I’ve seen online…

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I decided that turning these sweet little 70’s coffee cups into such planters would give me justification for buying them.

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Here’s what they don’t tell you in all those blog posts:  If you do even a half-way decent job of nurturing your succulents, they will grow out of those adorable little pots:

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And it will happen far more quickly and spectacularly than you ever thought it could.

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As you see new shoots budding, you realize that the charming vision you had about those pots is going to have to be abandoned. You are going to have to let it (and them) go. If you want those succulents to keep living, you’re going to have to find a new place for them to grow. Because–of course!–they have to keep growing. The only way to not grow is to die.

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And you don’t want that:

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So you look for new pots, ones with more space. You prepare to transplant. You let their old life, in the little cups on the kitchen window sill, go. It’s hard. They were so sweet, and you loved them even more than you thought you would. You know how empty the sill is going to look without them.

In not unrelated news, this song–released the year my daughter was born (yes, that was really 18 years ago!)–has been playing on repeat in my head the past few days:

 

Walking my talk, the better late than never version

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I’ve been finding it kinda ironic that I proclaimed “voice” my word of the year, and where I find myself living now is a place that requires me to (mostly) shut up and listen.

But “voice” is what carried me to the Portland production of Listen to Your Mother, which has been one of the best experiences of my year. We performed the show in early May, and last week videos from all of the shows were released online.

I’d sort of forgotten that was going to happen, and when it did I found myself feeling…a whole bunch of things, but, mostly, vulnerable.

A few days after they were out, a  friend from the cast asked me why I hadn’t posted about it on Facebook, and aside from questions about vanity and the general weirdness of seeing oneself on video, I realized that I was wrestling again with  questions about when and when not to publish, and who has a right to tell which stories. It was feeling like one thing to tell a story that involves our children in a blog post, or in a small live performance, but another one to tell it on video and then direct people to that video. I’m still not sure if it is different or not, but it feels like it might be.

I am a deep believer in the power of story and preach (often) the necessity of telling them. I know how important it is for us to tell our personal stories, particularly about topics that carry stigma. I wrote the blog post that became the story I told on stage because I wanted to create something to help others understand what it is like to parent a child with a mental illness. I hoped that doing so might alleviate for someone else the fear, guilt, and isolation I felt early on. It always helps to know that we’re not alone in grappling with a hard challenge.

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But, but, but…

I am a mother before I am anything else, and the world can be a cruel place. There can be real consequences to sharing your membership in a stigmatized group. While I want to serve others, I serve our children first. Always. It is hard, often, to know how to best do that. I want to do my small part to make the larger world a better place (for everyone’s children), but I don’t want to hurt my children’s personal world to do that.

After a fair amount of internal hand-wringing and conversations with good friends, I’ve decided that the potential rewards outweigh the potential risks. So many people right now are being called upon to be brave, in so much larger ways. The hard stories that help us see each other more truly and fully are the ones we most need to tell. So, here’s my offering, my small act of courage, some walk to go with my importance-of-sharing-our-stories talk:

You can click here to get to  the national Listen to Your Mother post that will connect you with all 500+ videos from this year’s productions across the country. You can find videos by location or you can browse featured playlists. (I am feeling really honored that mine was selected as a featured video.) If you couldn’t attend the Portland show and want to experience the next-best thing-to-being-there, you can go to the Portland playlist and watch it in order. Our producers did a fantastic job of putting together an anthology of stories best listened to in the order they were presented. (Nope, not biased at all!)

Before you click over, I warn you:  You may find yourself spending more time there than you planned. The stories (and their tellers) are so compelling. Raw humanity always is, isn’t it?

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Color photos by Elizabeth Sattleberger of Lizilu Photography
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lack-and-white photo by Amy McMullen (of our wonderful cast).

Careful what you wish for

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My parents live on Washington’s Olympic peninsula, and the journey from my house to theirs is framed by bridges. It is only after I leave Oregon by crossing the Columbia River on the I-205 bridge that I feel I’m really on the road, and it is only when I hit the peninsula’s Hood Canal Bridge (shown above) that I feel I’ve arrived.

When I’m crossing it, I can feel the thrumming inside me quiet. My body lightens and my breathing deepens. I am back in the landscape my life started from–home, in every sense of that word.

Every time, I wish that I could stop on that bridge and capture the water that surrounds it with my camera. But there’s no place to stop on the bridge. Once on it, you have to keep going.

Unless, of course, the bridge is up to let passing ships through. A few times, I’ve been stopped on the highway that approaches it. I’ve always found this to be a frustrating inconvenience, especially if it happens when we’re heading east to catch a ferry. Last Saturday, though, for the first time ever, I got stopped on the bridge.

At first, I muttered to myself and cursed the delay. I was on the way to a ferry. And, it felt unsettling to be stopped on the bridge:

What if one of the ships hits it?
What if an earthquake strikes?
I am trapped here, far from safe land.

Miraculously, though, for once I’d left with plenty of time to spare. It took only a moment for me to realize that this wasn’t an inconvenience or a deathtrap, but a gift. I was finally getting what I’d always wanted:  A chance to take photos from the bridge.

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This trip to my parents’, it was a bittersweet one. My parents moved to the peninsula after my children were born, and it was my first trip there without them. Ever.

For much of the week, I felt the ghost of visits past all around me. I saw and heard all the different versions of my children that I took to this place, the setting for some of our best memories.

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Saturday, I took off on my own to see an old friend–and that’s when I got stopped on the bridge.

Sitting in my car, waiting for the ships to clear, alone for the first time in days, I realized that for the past few months, I have been racing across a bridge from the life I used to live with Cane and the kids to a new one that is (from this distance) shrouded in fog. I’ve been spinning my wheels through the prospects of new jobs and new houses and new towns to live in, changing lanes over and over to position myself to be in the right one (whatever that is) when I exit the bridge. I have  wanted that next place to look and feel and be as different from the old one as possible, so that I won’t feel haunted by the ghosts of the people and times that have passed.

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That old friend I visited came into my life more than 30 years ago, when I was a student in a poetry workshop and he was an editor just starting a literary journal. He was the first publisher of my poetry, the one who told me that I had written a book before I knew it myself.

“If you could do anything with your life right now, what would it be?” he asked.

I looked around the park we were sitting in, thinking of all that’s happened in the past few years. Thinking of all I once wanted to do. Thinking of what’s now possible and what no longer is.

“I don’t know, ” I said. The truest words to come out of me in months.  Years, probably.

The truth is, I have never known. Watching my children taking their first steps into a life largely independent of mine, I can look back at myself at their age and see that I took off running and never stopped. College, job, marriage, house, kids–all the destinations I thought we all needed to arrive at. Sure, I took some major detours (hello, divorce), but even those were navigated at high speed, my way to outrun fear, discomfort, grief, boredom, pain; all taken without ever fully stopping to look at them and see them for what they really were.

Life doesn’t give us much opportunity for truly full stops, and I’m not wishing for one of those (as they tend to accompany disaster). But I’m OK with looking at the coming weeks–where so much is suspended, waiting for what will come next–as my own little stop on the bridge.

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My time last Saturday helped me see that, sometimes, the best thing we can do on a bridge is to stop moving and take in our surroundings. Take a breath. Take notice. Pay attention to where we are.

I’m putting a temporary end to moving forward, changing lanes, plotting destinations. I’m giving myself permission (and time) to stop, get out of the car, stretch my legs, see the ponderous beauty of the clouds above, notice how truly far the road stretches ahead, know that where I am, right now, is home, in every sense of the word.

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Image of Hood Canal Bridge at top of post comes from prune picker:
http://prunepicker.blogspot.com/2012/07/hood-canal-bridge.html

Closing time

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Pretty much every educator I know is a bit of a puddle by the time the last bell rings for the school year. Even those like me, who don’t have much direct contact with kids, are spent. That has never been more true for me than this year.

It occurred to me last week that the rhythm of the school year is all ass-backwards: We are ending as the natural world is blossoming and teeming with life. In the fall, when the rest of the world is turning inward and preparing for dormancy? That’s when those of us in schools are starting new, full of energy and life. Maybe that is why I so often feel discombobulated and out of synch.

I can’t speak for all of the other educators out there, but late spring is always a sort of sad, bittersweet time for me. It was especially so this year, with so many things ending. (I know, I know, I know:  All endings are beginnings. Spare me, please. If I know anything about grief it is that we have to feel all the feelings. I can hold both sorrow and joy in my hands at the same time.)

A few days ago I saw an idea I love and hopped on board with it, but the truth is that I’m too done in right now to do anything that looks like daily posting.  And I guess I’m not quite ready to turn outward yet.

I so appreciate those of you who are writing in your own spaces right now. Even if I don’t always comment, please know that I am reading. I just need some time to re-group. If I know anything else about grief, it is that we never stay in the same state forever.

Because “love” is a verb

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Somehow, the events in Orlando made me mute. Maybe it’s that I was feeling so wrung out by the emotional roller-coaster I’ve been riding for the past two weeks months years, or maybe it’s that I am so weary of the ways in which we humans are so very horrible to each other, but I just felt that there was nothing meaningful for me to say.

And then I read these words from Jen Hatmaker about what it does to those who are terrorized by violence in their community when those of who are not in it say nothing:

“What my black friends taught me is that the ancillary offense, where grief is compounded and loneliness sets in, is when their friends and colleagues outside of their tribe say NOTHING. When their churches don’t stop and grieve. When their coworkers are silent. When their neighbors look the other way because they aren’t sure what to say, so they say nothing.”

And so, I wrote something about Orlando on Facebook. It still didn’t feel like enough, but it was something. I still felt demoralized and beat down and just so very, very sad–and as if words are not enough in the face of these incidents which I feel myself becoming numb to.

That feeling intensified when I watched this clip from Stephen Colbert, who reminds us that love is a verb.

I wanted to DO something, but I didn’t know what.

As is so often the case, I got my answer from a librarian. Librarian Arika, to be specific.  Librarian Arika reminded me of one of my bedrock beliefs–that stories have the power to save lives. That words matter.

(It is easy to lose faith in the face of horrible, bewildering events.)

Arika reminded me that when it comes to building acceptance of humankind, “literature can help.” She wondered,

“What if it was as simple as this: commit to read, promote, share, and purchase books that promote tolerance of race, gender, identity, religion, ability, and sexual orientation.”

And suddenly I knew what I could do–the thing that is my thing to do. I can join Arika’s movement (#BooksBuildTolerance). For the rest of the month, she is sharing one book a day that promotes tolerance and understanding.

Me, too.

I’m starting with a book I read last month that I adore: George by Alex Gino.

From the publisher:

When people look at George, they think they see a boy. But she knows she’s not a boy. She knows she’s a girl.

George thinks she’ll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte’s Web. George really, really, REALLY wants to play Charlotte. But the teacher says she can’t even try out for the part… because she’s a boy.

With the help of her best friend, Kelly, George comes up with a plan. Not just so she can be Charlotte — but so everyone can know who she is, once and for all.

So, that’s what it’s about. I love this book not because it’s about a girl who is a boy, but because it is a tender, true, and important story about being human–which means being vulnerable, and scared, and brave, and bold. The characters are so real, from George/Melissa’s teen-age brother to their loving-but-not-completely-accepting mom. (“I always knew you were gay,” she says, “but not that kind of gay.”)

I love this book not because it is ground-breaking (though it is that) but because it is good writing. It’s not a book I chose for our elementary libraries because we needed a transgender book; I chose it because it’s a book any child who has ever felt different in some way could relate to. (And because it’s a transgender book and we have children in our schools who are struggling with that particular issue and they need to read a story in which they see themselves. And their cisgender friends need to see them in books, too. But first because it’s just a great book.)

This is not a very compelling review because I don’t have a copy with me and I’m tired and it’s late, but I think that doesn’t much matter.

Sometimes we’ve got to just do the best we can–because love is a verb and it’s important not only to not say nothing, but also to not do nothing. If you haven’t read George, check it out.

#BooksBuildTolerance.

dream, dream, dream

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In 2009, I decided that I wanted to become a school librarian. Media specialist. Teacher-librarian. Whatever you want to call it.

After 19 years of teaching English, I was tired of being the person others feel they must watch their grammar around. I was tired of the red pen jokes. I was (really, really) tired of reading essays no one wanted to write and no one wanted to read.

Instead, I decided I would leave the classroom to become what I’d long wanted to be:  A school librarian. I wanted to be the person who worked with teachers and kids as a conduit to information literacy. I wanted to be the pusher who got teens hooked on my favorite drug: books.

Please note the date:  2009. Most of the rest of the country was already well aware of (and experiencing) the biggest economic crisis since the Depression, but it takes awhile for economic shifts to really hit schools. That spring, we were bracing for budget cuts. But honestly? Other than a lovely, brief little spell in the 90s, my whole career has been bracing for budget cuts. It felt like business as usual.

So, even though many of the districts in my area had already gotten rid of their librarians, I enrolled myself in a library-media certification program. “They can’t fire all the librarians,” I said. “They’ll have to have some, and why not me?”

Oh, but I didn’t stop there. Oh, no. I then left my very secure teaching job, where I was buried so far down the seniority ladder that I would never be laid off. I took an instructional coaching position in another district, never imagining that I would become the last one hired there for years. “I’ll gain skills to become the kind of librarian I want to be,” I said. “It’s worth the risk.” This was a year after my divorce, when I was struggling to make ends meet as a single mom.

Two years later, the spring budget season felt like a bloodbath. In two years our high school staff went from 90+ teachers to 60+. “Do you know there’s no one above you on the list?” my principal said. “Like, No. One. You can’t bump anyone.” (Bumping is when a person with more seniority and the right certification can bump another teacher out of their job.)

I knew.

My position was reduced, but I was grateful to have one at all. Two years after that, I traded in some of my coaching for a half-time library gig, over-seeing all 10 of our district’s school libraries. I am the only certified teacher-librarian we have.

It was not the job I’d dreamed of. Almost no student contact time, and almost no time to work with teachers. Occasionally I do anyway, but it’s really not in my job description. And I haven’t had full-time employment for five years.

Now, however, three years later, some districts are bringing back positions that look a lot like the job I dreamed of. And I saw one and I applied for it. And I got it.

It was truly a dream position. A small (<800 students) magnet school. Grades 6-12. Diverse. High achievement, even with students who typically don’t achieve. A global lens that celebrates multiple cultures and perspectives. A chance to integrate the favorite parts of both my library and coaching roles into one, full-time position. When I walked through its doors, I could feel what a good fit it would be for me.

But. (You knew there was a “but” coming, didn’t you?)

It was not where I’d like to live. The commute from where we live now would be horrible–more than an hour of mostly stop-and-go traffic, which is something I do not tolerate well. The community the school is in is just fine, but it’s not the kind of place I want to live and I could not afford the kind of home I’d like to live in. And I’d be living there mostly by myself, as Cane’s job is close to where we now live.

As Cane and I have gradually come to understand and accept that we likely aren’t going to be able to live together full-time again for a long time, we’ve been wrestling with what it means to be family, and what constitutes home. This job offer raised the questions to a fever-pitch.

In the end, I turned down my dream job.

It was hard!

Really, really hard. But here’s the thing:

It just wasn’t the right one, dreamy as it was. As I realized a few years back in the area of clothing, almost-right is still not-right. As I wrestled with this decision I could look back on my life and see all the compromises I’ve made on important things, taking the almost-right thing that was available because I feared that it was the best I could get.

No more.

I’m holding out for right. I want the right work AND I want good work/life balance. That means living close to work (and not spending hours a week in the car). I want an affordable home that I both love and can care for with the resources I have, in a community that is a good fit. I want a life close to the people I love.

The job offer was a huge gift, in that it helped us clarify some important questions. It’s helped us move out of the limbo we’ve been in since November, when Cane found an apartment we thought would be temporary, to live in part-time until the situation with his daughter stabilized. The challenges we’re living with are not temporary, and this opportunity helped both of us see and know what we each need to be OK going forward.

So, we are meeting with our realtor this morning, to talk about selling the house. We’ve been visiting open houses in other places we might want to live. I’ve applied for some other jobs. I’m holding out for the right thing, maybe for the first time. Despite the change and upheaval and all the things that have happened that I never wanted, things are good in a way they haven’t been for a long time.

We’re going to find a place where our eggs won’t roll away. That’s the dream, anyway.

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Just a quick little glimpse of what’s been going on in the studio.

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Progress is slow, but there has been some.

Of seeds and waiting and blossoming

Please let me introduce you to Miss Rumphius:

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It is because of Miss Rumphius, aka The Lupine Lady, that I’ve always wanted to grow lupines.

She is first a librarian and then a world traveler, but after an injury she realizes it is time to find her “home by the sea” and fulfill the final prong of her 3-part life mission statement, which is to make the world a more beautiful place. She comes to do so by planting lupines.

I have always wanted to be like Miss Rumphius (well, at least since I first met her–which was probably 25 years ago), and it is because of her that I’ve long loved lupines.

Sadly, I’ve never had much luck with growing them. I’ve planted lupines numerous times, but they’ve always been a bit puny and nothing like the ones growing on the cover of  Miss Rumphius’s book.

Until this year:

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I have only this one plant, but isn’t it glorious?

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It’s struggled to grow for at least two years. Its leaves would come up, but it never flowered. I’d pretty much given up on it, thinking that, perhaps, I was just not meant to be a grower of lupines.

It’s funny how things sometimes grow and blossom when we leave them be.

Miss Rumphius plants a few seeds in stony ground, and they bloom several seasons later, after winter and then a spring of illness. Looking out her window at them from the confines of her bed, she wishes she could plant more, but her health prevents it. When she is finally able to get out again after another winter and spring, she sees that the flowers have spread, their seeds carried by the birds and wind.

It happens without her needing to do anything other than plant those few first seeds. And wait, and let things take their natural course.

I suppose it might have been well enough to leave it there, but she doesn’t. She orders bushels of seed that she begins to carry in her pockets, tossing them everywhere she goes. Some people call her crazy, but she just walks and flings seeds, trusting in the process.

Which, of course, is enough. Eventually, her flowers bloom everywhere.

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Like Miss Rumphius, I am ending one stage of life and beginning another, wondering what I might do to make the world a more beautiful place.

I suspect the seeds of an answer to my question have already been sewn, and that it will unfurl when I turn my attention to other things and stop waiting for its bloom.

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A friend told me this week that a watched peony never blossoms.

What about you, friends? Anything you’re waiting for?

Listen to Your Friends

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My friends told me that it was an amazing experience. They said it was life-changing. They said it was powerful.

And yet, none of that really captures it, any more than the prenatal class I took for those expecting multiples conveyed what it would really be like to care for two babies. I want to write words that will somehow help anyone reading to know how amazing, life-changing, powerful, and down-right magical it is to appear in a Listen to Your Mother show, but I’m pretty sure it’s not possible.

I think you had to be there.

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I’m going to try anyway.

All of those things my friends told me–they are true. What it really all comes down to, I think, is the power of shared story. Sharing:  That’s where the magic is.

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For much of my adult life, I questioned and struggled with the purpose of writing. It was so hard. It took me away from other things. And for what? What would be gained? Who would really care? What purpose would it serve, really? Was it worth what I would sacrifice, taking the precious minutes of my life to write my stories?

Several years ago, I decided that the answers to those questions were pretty much nothing, no one, none, and no.

I think, perhaps, it’s because the crucial piece that was missing from my practice as a “serious” writer was the sharing. I mean, yes, publishing is sharing, but it’s such a one-way thing. I think I’ve kept at blogging because it’s more about reciprocal sharing. It’s about community, and that’s what makes writing matter.

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There are women in this group whose life experience is different from mine in important ways, but in our first rehearsal I found connection to every single person’s story. Some walloped me close to home–Sue’s story about a difficult pregnancy, Becky’s story about step-mothering, Susan’s story about how it is to be a family with a visibly disabled child, Amy’s story about her family of strong women who rarely speak openly about the tragedies in their lives.

But truly, there was something in everyone’s story that spoke to me: from Kate’s mother who loved the Handi-wipes I remember from my grandmother’s house to Mandy whose voice is so much like her mother’s that no one could tell them apart on the phone. (My dad never knew if it was my mother or me when one of us called home.) When Kylene told of her valiant struggle to carry her large baby on her body, I remembered my own challenges to give my babies what I thought they needed. Carisa talked about not shielding her children from life’s truths, something I’ve been doing with mine for years, and Sandra told stories about her mother who, like my grandmother, was the center of her family’s universe. The absurdity in Leslie’s story about burying a pet hamster reminded me of so many moments I found myself doing things I never imagined I might do as a mother.

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Through our stories–and making ourselves vulnerable by telling them honestly–we became a community. I have probably spent fewer than 15 hours with these women, but I tell you this:  I feel I know them better than others I’ve known for 15 years. And I would drop everything for any of them if they needed me to, because I’ve looked into the most tender places in their hearts, as they have looked into mine. (I also feel this way about so many of you I’ve only “met” in our online spaces.)

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Imagine how our world might be if we could all do this. What if we could lower our defenses and share our most important experiences? What if we could learn to really listen to each other? How much kinder and stronger and more able to love might we all be?

Putting our writing out into the world is hard because so often we are opening up the softest parts of ourselves (if we are doing it right) to others who may not accept our gift with respect or care. We put ourselves at risk when do that, just as much as if we were offering our bodies to a lover who can’t love us back.

But damn, the world needs it.

It needs brave souls who will say:  “This is my story. This is my truth.” We need it so that we can see ourselves in each other. We need it to know we aren’t alone. We need it so we can be strong in the face of all that life throws at us. We need it so that we can turn to each other in the face of our fears, rather than on each other.

We need it.

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My friends told me that being in Listen to Your Mother is life-changing. I believed it was true for them, but I wondered how it could be that way for me. How could getting up on a stage for a night and telling a story do that? I signed up to audition because I was full of my new year’s resolution to find and use my voice, but I didn’t expect it to change my life.

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I don’t know that I can really parse out how the whole thing works, much as I’ve been trying to here. I likely can’t tell you that any more than I can tell you how it really is to raise two babies at the same time.

But, thanks to this experience, I might just take a stab at trying to tell that story–and a whole bunch of others. These women have helped me see that I have stories worth telling and others I want to tell them to. I went looking for my voice, and I found it in a community of women who honored and amplified it. More importantly, I think I’ve also found the courage and heart to use it.

And that, my friends, just might be life-changing.

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All of these wonderful photos were taken by one of our sponsors, Elizabeth Sattelberger of www.lizilu.com. Please do not share without her permission.