March on

A few days ago Google photos sent me a little overview of the month of March. Back in January, I made a promise to myself to be more present in my days. To notice them more, so that when I got to the end of another year I wouldn’t feel as if they’d all slipped past me when I wasn’t looking.

I wrote a post at the end of that month in which I looked back over it, which was a way of noticing. The days had been short and some weeks even shorter, but the month looked long in the rearview, when I saw how many good things had actually filled its 31 days.

I meant to do the same at the end of February, but you know how things can go. And here it is nearly the middle of April (or it likely will be by the time I get this posted), but it’s not too late to look back at March. (You can do things like this when you’re making up your own rules as you go.)

I had one really big event in March–a trip with the women of my extended family to my great-grandparents’ first home in Croatia–but the rest of the month was full of a rather ordinary kind of good. The first bulbs poked their heads above ground. I ate a great deep-dish pizza at a library training in Chicago. I got to teach some kids how to use databases. My daughter sent me texts and snapchats that made me laugh. The bulbs grew, and I pulled weeds, and I went for a walk where I took photos of modest little houses for a project I started years ago and will likely never do anything with. I got scared by a spider (which wasn’t exactly good but made me laugh) and ate a great donut and then I took a plane (or three) to Croatia. The bulbs fully bloomed while I was gone.

It was a good month. It’s a good life.

The same day that Google reminded me about my month, I came across this article on living “a mediocre life,” which asks:

“What if I am not cut out for the frantic pace of this society and cannot even begin to keep up? And see so many others with what appears to be boundless energy and stamina but know that I need tons of solitude and calm, an abundance of rest, and swaths of unscheduled time in order to be healthy. Body, spirit, soul healthy. Am I enough?”

Solitude. Rest. Calm. Enough.

I’ve caught myself lately saying, “I’m turning into an old person,” in response to such things as being in bed on a Saturday night at 10:00 or really looking forward to eating German pancakes on Sunday morning at a neighborhood bakery. I say it as if doing such things and/or being an old person is a bad thing. But if healthiness rooted in the presence of small, everyday pleasures–as well as the absence of hangovers, headaches, and drama–is part of being an old or boring or mediocre person, well…bring it on.

We don’t ever ask the bulbs in spring if they are enough, or to be more than they are. We just let them unfurl (or not), and accept that whatever they do is what they were meant to do. We don’t curse the tulips and daffodils for being common or for needing certain conditions to grow. When we see them, we’re just grateful that they’re here, again, both testament and witness to another year, and that we didn’t have to do anything extraordinary to make them bloom.

Lately I’ve been wondering if the way we think of seasons as metaphors for our lives might be all wrong. What if the prime of our life is not summer, but winter? I spent a lot of the past two decades with my head buried, living my way through a lot of short, dark days, doing a whole lot of growing and energy gathering in an underground, crocus-ey sort of way. It was not a bad time, but maybe it was not the summer of my life. Maybe this, right now is the springtime of my life. My mediocre life.

Maybe it’s yours, too?

7-Day Book Challenge: Turn Not Pale, Beloved Snail

I stole this book from the King County Library system. I didn’t forget to return it. I didn’t lose it and find it years later. I made a deliberate, conscious, and purposeful decision to keep it because I needed it and back in 1981 I didn’t have any way to get my own, lawfully-owned copy.

I happened upon it by chance; I worked as a page at the Burien library, which was, it seemed to me, a rather twee (though it would be years before I was introduced to the concept of “twee”) job title for those of us who shelved the library’s returned books. Sorting and shelving books was a fabulous way to discover titles I’d never have otherwise found, and this was, perhaps, the best of the treasures I uncovered, for it helped me find a way back to writing.

Kind of ridiculous to think that, at 17, I’d already lost my way as a writer, but I had. Actually, considering all the ridiculous things we do and say to children around the subject of writing, it’s not ridiculous at all. At any rate, I’d lost my way, and this book helped me find it again.

“What do you do with this book? There aren’t any rules. Start anywhere and go anywhere….If a teacher likes the book, don’t let her (or him) shove it down your throat and make lessons out of it, unless that’s the way you want to use it. And tell your teacher, if you have to, that the kind of writing this book is about isn’t a spelling assignment, or a lesson in grammar or handwriting or how to make paragraphs. This writing is to get down your good ideas, and what you think and feel inside.”

–Jacqueline Jackson, Turn Not Pale, Beloved Snail ©1974 Little, Brown and Company

The author, Jacqueline Jackson, wrote children’s books that I didn’t find particularly compelling but this book gave me a vision of what life as a writer could be:  One filled with kids and books and talk about books and humor and joy and mess-ups that were not failures or potential triggers for frightening adult anger but material for great stories. (There’s a whole chapter on the merits of being horrid!)

This was no how-to-be-a-writer guide that required me to live my life as a loaded gun or end it with my tragically young head in an oven. It was a book full of anecdotes and kids and dogs and mishaps and references to books I already loved (Harriet the Spy!) and books I was sure I would love as soon as I read them. A big part of me, even though I was nearly grown, longed to be a child in this household. (Her children had wonderful names–the youngest was Elspeth–and they had a dog named Frodo! Who knew you could do that?) Since it was too late for me to have that kind of childhood, I dreamed that some day I might create such a life for the children I hoped to have.

The title is an allusion to Lewis Carroll’s “The Lobster Quadrille”:  “Turn not pale, beloved snail, but come and join the dance,” and this was the first book I read that suggested that the path to writing was not, in fact, to shut oneself up in a room with one’s demons but to enter into life as fully as possible and live to tell the tales. It probably doesn’t seem such radical stuff now, but for a good (read: “compliant”) student in the early 80s struggling with what she’d later know was anxiety and depression, the idea that there was a whole different way to learn about writing and to live as a writer than those I’d been taught was ground-shifting. Life-saving.

The librarian in me now would be perfectly fine with the younger me keeping this book.  (But you don’t have to steal it now. Amazon has multiple old copies available.)

(This was written in response to a Facebook challenge to post photos of the covers of 7 favorite books in 7 days with no commentary. Clearly, I’ve broken the no commentary rule–shocker! I’m not as compliant as I once was and tend not to follow rules that seem arbitrary. Who says the 7 days have to be in a row? And why 7? Not sure how many I’ll do. Feel free to nominate yourself for the challenge.)

Where was your outrage when…?

My children had, in many ways, an idyllic, throw-back childhood. We lived in a small mountain community, where neighborhood kids spent countless low-supervised hours tromping through woods as they acted out epic dramas in imaginary kingdoms built on the banks of the creek and river that ran past our homes.

On the 4th of July, most of us gathered for a parade, led by a local fire truck and an older, beloved couple who dressed as Uncle Sam and Lady Liberty. We all decorated bikes and wagons and walked with the kids and waved to neighbors who lined the streets and waved back. Like something out of a movie about times gone by–except it was our time.

I miss those days.

I miss how sweetly innocent and simple the 4th of July felt then. I miss the optimism I felt for our children’s futures. I miss my ignorance–which was, in many ways, bliss.

Because it’s all different now. My children are grown, and the 4th of July will likely never again be a sweet, simple, or nostalgic holiday for me. This year, I cannot look at this picture of my babies without thinking of the thousands of children currently being held, by my government, in cages away from their parents. I can’t help thinking of their parents and the pain they must be enduring as they imagine that of their children.

To all those who have asked/accused people like me, who are horrified at these actions and are raising our voices against it, Where was your outrage when___ (fill in the blank)? all I can really say is, “You’re right.” They aren’t always right about what actually happened in the past, but their question gets at an important and essential truth:  Our governmental institutions have been responsible for unjust, painful, outrageous actions all through my life, and I did not protest most of them. I didn’t even know about a lot of them.

Recently, my daughter asked me how I could bring children into such a difficult and troubled world (“just the climate issue alone, Mom!”), and the only answer I could give was that I didn’t understand, when I was making that decision, how troubled our world really is. “How could you not?” she demanded of me. “All the information was available.”

She is not wrong.

And I don’t have any kind of good defense. The second time Bush won the presidency through a questionable election, I checked out. I decided my contribution was going to come through my work as an educator and parent, and that that was enough. I stopped paying close attention because paying attention frustrated me and made me feel powerless and because–I understand now, but didn’t then–my privileges shielded me from the impact of so many things that were happening. I told myself that none of it really mattered that much. Life goes on, went on, much as it always had, for me. I checked out because I could. Simple as that.

There’s really no excuse for me not knowing the things I didn’t know then, but I know them now. And you know how it is with so many truths we don’t really want to know:  Once we know them, we can’t un-know them.

I can’t un-know that people of color have a very different lived experience in this country than people who look like me.

I can’t un-know that I have lived my whole life in a country founded on white supremacy, and that race has been at play in every aspect of our history.

I can’t un-know that we are in a place I never thought we could be but that I should have known was possible. The balance of powers is gone, as are collective agreements about how to play fair in a democracy. There appear to be very few checks still in place, and the ones that remain are under attack.

And this is knowledge I cannot simply turn away from, much as part of me wishes I still could.

It is not so much that I’ve become “woke” as that I’ve just started to pay attention again. To pull my head out of the sand. And to all who ask, “Where was your outrage when___?” all I can say is, “Fair question, but it’s a time-waster, a diversion, a straw man.”

That I wasn’t outraged when ____ does not invalidate my outrage now.

Just  because I (and so many others) failed to protest in the past, it does not mean we should be quiet now or that our protest now lacks legitimacy. It does not mean that past wrongs justify current ones. And it does not mean that our outrage now is only because we don’t like your guy. To be clear:  We don’t. He’s a racist, misogynistic, corrupt, dishonest man who’s surrounded himself with people a lot like himself.

The important fact is not that we dislike them as people, but that we don’t like what they are doing. We don’t like elimination of due process, violation of laws, and irreparable psychological damage done to children for political gain. We don’t like their lies and their abuses of power. We don’t like the ways in which they have not played fair. We don’t like any of them because collectively they pose a greater threat to our country than any I’ve ever seen. I like to think we’d be against that no matter who occupied the White House, if we knew about it.

What I know today is that patriotism requires so much more than fireworks and colorful streamers woven through the spokes of a bicycle wheel. It requires that we inform ourselves, seek out truth, and, once we know it, speak it to authority–through our words, our votes, and, if necessary, our protest. As the bumper sticker says, Dissent is Patriotic. Good Lord, as much as our country was founded on white supremacy, it was also founded on dissent. We have always been a complex, contradictory nation, one who idealizes tradition and decorum with the same breath we use to smash them. Our understanding and celebration of our country–our patriotism–should be equally dimensional.

While I’d like to wish you a happy 4th, that doesn’t seem the right sentiment this year. In fact, what I most wish for your 4th is that it be a complicated one, a mix of love and pride and anger and alarm and–above all else–one of resolve to preserve the best of what this day has traditionally stood for. Our children need that from us, much more than they need sparklers and streamers. (But hey, I hope you enjoy the sparklers and streamers. We need those, too.)

 

 

 

The life you save may be your own

“Stories are compasses and architecture; we navigate by them, we build our sanctuaries and our prisons out of them, and to be without story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their story, or figure out how to tell yourself their story.

Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller’s art, and then a way of traveling from here to there. What is it like to be the old man silenced by a stroke, the young man facing the executioner, the woman walking across the border, the child on the roller coaster, the person you’ve only read about, or the one next to you in bed?

We tell ourselves stories in order to live, or to justify taking lives, even our own, by violence or numbness and the failure to live; tell ourselves stories that save us and stories that are the quicksand in which we thrash and the well in which we drown, stories of justification, of accursedness, of luck and star-crossed love, or versions clad in the cynicism that is at times a very elegant garment. Sometimes the story collapses, and it demands that we recognize we’ve been lost, or terrible, or ridiculous, or just stuck; sometimes change arrives like an ambulance or a supply drop. Not a few stories are sinking ships, and many of us go down with these ships even when the lifeboats are bobbing all around us.”
~Rebecca Solnit, The Faraway Nearby

When I was a girl, stories were everything to me:  solace, companionship, beacon, and guide. Much later, stories literally saved my life.

The story I’ve been telling myself this past week is that we are living in a dark time. I believe this story to be true, even though I’ve wanted to believe otherwise–to believe that, perhaps, I’ve got the story wrong or that I’m not seeing all of it or that I’m giving too much importance to the wrong details. I think there is great danger in telling ourselves stories we want to believe even though they aren’t true. I believe this because of my own story, the harm I’ve done because I believed stories that later collapsed around me.

I am fully cognizant, though, that others in my country are telling themselves an entirely different story about who we are and what is happening to us. About who are the protagonists and antagonists and what the central conflict is, about whether that conflict is internal or external.

While there is so much I don’t know, and the versions of the dark story I am telling myself shift so much that I can’t seem to chart a constant course through it–some days fired up to take action and others so hopeless I retreat to silence and solitude–one thing I always believe in is the power of story to shape story.

So many of the stories I grew up believing have proven to be false. So many of the stories I’ve told myself have, the past few years, turned out to be fairy tales or myths or wishes more than truths.  The wonderful thing about being a writer, a teller of stories, though, is that you know revision is always an option. When we are open to the stories of others, we always run the risk that it will change our own–that we will realize we have to “kill our darlings,” perhaps throw out whole chapters or abandon what once seemed like the whole point of the thing. To some, I guess, this feels like ruin. We love our stories, and we don’t want them to change. But to me, it feels like possibility and relief. How amazing and interesting and freeing, that none of us are the sole authors of our plot line or themes, that it is always something we create in concert and collaboration with others, that a plot twist we never anticipated can save us. It’s such a burden, isn’t it, to feel that we alone must carry the weight of writing our own story? Maybe we can set that one down.

Whatever story you are telling yourself now, what I hope is that you will tell it to others, that we will all tell our stories to each other and listen to them with empathy. I hope you will listen most to the stories of reliable narrators, those who are seeing clearly rather than clinging to sinking ships and in their panic thrashing at and pushing under those who are in the water to save them. I hope we can collectively write and tell and share our way to a lighter time, to a narrative in which we strapped our lifeboats together and hauled into them as many of us as they could hold.

 

Getting collective with it

As promised in my last post, I’m working on launching a project and I want this project to be a collective effort. I’m reaching out to ask for your support and expertise.

I’m looking for adult/young adult fiction/memoir that illuminates the experience of Americans in the following categories: immigrant, refugee, Muslim, African-American, disabled, Native American, Asian, women, LGBT. I’m interested in any group targeted in the election campaign and/or vulnerable if proposed policies are implemented.

I’m most interested in contemporary works that depict current American lives, and I’d like a range of ages for the main characters. Please share any titles you’d recommend in the comments.

Thank You!
#letsgetdangerous